What We're Reading: Staff Writers' Picks, Spring 2024

Hello spring! Here are the new and forthcoming titles we’re really excited to pick up on these longer, warmer, more beautiful days.

Recommended by Dana Hansen and Jen Rawlinson

The Call Is Coming from Inside the House: Essays

by Allyson McOuat

ECW Press, April 2024

“In a series of intimate and humorous dispatches, McOuat examines her identity as a queer woman, and as a mother, through the lens of the pop culture moments in the ’80s and ’90s that molded her identity. McOuat stirs the ingredients required to conjure an unsettled spirit: the horrors of pregnancy and motherhood, love and loss, the supernatural, kaleidoscopic sexuality, near-miss experiences, and the unexplained moments in life that leave you haunted.

Through her own life experiences, various tall tales, urban legends, analysis of horror and thriller films, and spine-chilling true crime incidents, McOuat uncovers how cultural gatekeeping has forced her, as a mother and queer femme woman, to persistently question her own reality. Through this charming and humorous exploration of what moments have made her who she is, McOuat demonstrates for readers a way through by forgiving herself and exorcising her stubborn attachment to a phantom, heteronormative, nuclear family structure.”

BLACK CAKE, TURTLE SOUP, AND OTHER DILEMMAS

by Gloria Blizzard

Dundurn Press, June 2024

“A diasporic collection of essays on music, memory, and motion.

In this powerful and deeply personal collection, Gloria Blizzard uses traditional narrative essays, hybrid structures, and the tools of poetry to negotiate the complexities of culture, geography, and language in an international diasporic quest.

These essays of wayfinding accompany anyone exploring issues of belonging – to a family, a neighbourhood, a group, or a country. Here, the small is profound, the intimate universal; the questions are all relevant and the answers of our times require simultaneous multiple perspectives.”

Withered

by A.G.A. Wilmot

ECW Press, April 2024

“A queer paranormal horror novel in the style of showrunner Mike Flannagan, showing the complex real-life terror inherent in grief and mental illness

After the tragic death of their father and surviving a life-threatening eating disorder, 18-year-old Ellis moves with their mother to the small town of Black Stone, seeking a simpler life and some space to recover. But Black Stone feels off; it’s a disquieting place surrounded by towns with some of the highest death rates in the country. It doesn’t help that everyone says Ellis’s new house is haunted – everyone including Quinn, a local girl who has quickly captured Ellis’s attention. And Ellis has started to believe what people are saying: they see pulsing veins in their bedroom walls and specters in dark corners of the cellar. Together, Ellis and Quinn dig deep into Black Stone’s past and soon discover that their town, and Ellis’s house in particular, is the battleground in a decades-long spectral war, one that will claim their family – and the town – if it’s allowed to continue.

Withered is queer psychological horror, a compelling tale of heartache, loss, and revenge that tackles important issues of mental health in the way that only horror can: by delving deep into them, cracking them open, and exposing their gruesome entrails.”

G

by Klara du Plessis and Khashayar “Kess” Mohammadi

Palimpsest Press, September 2023

“G is a sound. Phonetically, it is represented as [χ] – and corresponds to خ in the Arabic alphabet – a guttural resonance shared between Afrikaans and Persian. Hinging on this mutual fricative sonically prominent in their respective languages, and a playful inclusion of homonyms across English, Afrikaans, and Persian, Klara du Plessis and Khashayar ‘Kess’ Mohammadi composed G collaboratively in a shared Google document, an act of hospitality into their languages. Amplifying common etymologies, but centering communication beyond the delimitation of verbal systems, this work stages a conceptual project of human interconnection through the metaphors of tongue, speech, and poetry as sound. G builds on both poets’ earlier translingual and translation work, including du Plessis’ award-winning Ekke and Mohammadi’s Me, You, Then Snow.”

Play

by Jess Taylor

Book*hug Press, April 2024

“You will talk about 2016.
You will talk about The Lighted City.
You will be brave and truthful.
You will get to the bottom of what happened.

Paul (Paulina) Hayes loves her cousin Adrian. Inseparable from a young age, they play The Lighted City, an imaginary world where they pretend to live together and can escape a childhood that seems both too sad and too grown-up. But The Lighted City isn’t without danger.

Years later, Paul is struggling with PTSD after a season of turmoil – one in which Adrian is dead, and radio and television are filled with reports of missing children. Just as stability is settling into her life and relationships, Paul is dragged back into the fate that Adrian seems to have scripted for them. And so she finds herself journeying across the country, down into a ravine, and back to The Lighted City, where so much of her childhood played out. Only by doing so can she begin to come to terms with ‘the day everything happened’ – and what has unfolded since then.

With a unique blend of contemporary storytelling and psychological fiction, Play is a haunting, riveting novel that reminds us of both the beauty and danger of imagination.”

Grey Dog

by Elliott Gish

ECW Press, April 2024

“A subversive literary horror novel that disrupts the tropes of women’s historical fiction with delusions, wild beasts, and the uncontainable power of female rage

The year is 1901, and Ada Byrd – spinster, schoolmarm, amateur naturalist – accepts a teaching post in isolated Lowry Bridge, grateful for the chance to re-establish herself where no one knows her secrets. She develops friendships with her neighbors, explores the woods with her students, and begins to see a future in this tiny farming community. Her past – riddled with grief and shame – has never seemed so far away.

But then, Ada begins to witness strange and grisly phenomena: a swarm of dying crickets, a self-mutilating rabbit, a malformed faun. She soon believes that something old and beastly – which she calls Grey Dog – is behind these visceral offerings, which both beckon and repel her. As her confusion deepens, her grip on what is real, what is delusion, and what is traumatic memory loosens, and Ada takes on the wildness of the woods, behaving erratically and pushing her newfound friends away. In the end, she is left with one question: What is the real horror? The Grey Dog, the uncontainable power of female rage, or Ada herself?”

MOff the Tracks: A Meditation on Train Journeys in a Time of No Travel

by Pamela Mulloy

ECW Press, April 2024

“Train travel is having a renaissance. Grand old routes that had been canceled, or were moldering in neglect, have been refurbished as destinations in themselves. The Rocky Mountaineer, the Orient Express, and the Trans-Siberian Railroad run again in all their glory.

Pamela Mulloy has always loved train travel. Whether returning to the Maritimes every year with her daughter on the Ocean, or taking her family across Europe to Poland, trains have been a linchpin of her life. As COVID locked us down, Mulloy began an imaginary journey that recalled the trips she has taken, as well as those of others. Whether it was Mary Wollstonecraft traveling alone to Sweden in the late 1700s, or the incident that had Charles Dickens forever fearful of trains, or the famous actress Sarah Bernhardt trapped in her carriage in a midwestern blizzard in the 1890s, or Sir John A. Macdonald’s wife daring to cross the Rockies tied to the cowcatcher at the front of the train, the stories explore the odd mix of adventure and contemplation that travel permits.

Thoughtful, observant, and fun, Off the Tracks is the perfect blend of research and personal experience that, like a good train ride, will whisk you into another world.”

A Horse at the Window

by Spencer Gordon

House of Anansi Press, June 2024

“A genre-bending collection of dramatic monologues shining a light on the anxious, self-directed gaze that defines contemporary consciousness.

Borrowing stylistic elements from the prose poem, faux memoir, online diatribe, and philosophical investigation, the twenty-five dramatic monologues in Spencer Gordon’s genre-bending collection shine a light on the anxious, self-directed gaze that defines contemporary consciousness. CEOs lose their obscene wealth in lurid hellrealms; an aspiring writer reassembles a personal history out of fragments from the 2000s; police cadets receive a curious crash course in transduction and ethics; the Great Pacific Garbage Patch and Deepwater Horizon oil spill reveal the immanent sublime.

Ranging from ironic and furious to pleading and melancholic, Gordon’s speakers exist in a world of social media think pieces, hot takes and take downs, fake news and distorted facts, steeped in pop culture and its discontents. They are real people, intimate as kin. But they’re also pseudonyms, ghosts, and playbacks, echoing from insubstantial handles drifting on the web. They lie and lurk and love online, channeling the morphemes of digital language and filtering the concerns of self, performance, digital identity, and complicity through the irreverence, non-rationality, and surprising beauty of Zen.”

Signs of Life: Field Notes from the Frontlines of Extinction

by Sarah Cox

Goose Lane editions, April 2024

“What’s to be done when only three spotted owls are left in Canada’s wild? When wolves eat endangered caribou, cormorants kill rare trees, and housing developments threaten a tiny frog?

Environmental journalist Sarah Cox has witnessed what happens when we drive species to the brink of extinction. In Signs of Life, she tags along with the Canadian military, Indigenous guardians, biologists, conservationists, and ordinary people who are racing to save hundreds of species before it’s too late.”

We Speak Through the Mountain

by Premee Mohamed

ECW Press, June 2024

“The enlivening follow-up to the award-winning sensation The Annual Migration of Clouds

Traveling alone through the climate-crisis-ravaged wilds of Alberta’s Rocky Mountains, 19-year-old Reid Graham battles the elements and her lifelong chronic illness to reach the utopia of Howse University. But life in one of the storied ‘domes’ – the last remnants of pre-collapse society – isn’t what she expected. Reid tries to excel in her classes and make connections with other students, but still grapples with guilt over what happened just before she left her community. And as she learns more about life at Howse, she begins to realize she can’t stand idly by as the people of the dome purposely withhold needed resources from the rest of humanity. When the worst of news comes from back home, Reid must make a choice between herself, her family, and the broken new world.

In this powerful follow-up to her award-winning novella The Annual Migration of Clouds, Premee Mohamed is at the top of her game as she explores the conflicts and complexities of this post-apocalyptic society and asks whether humanity is doomed to forever recreate its worst mistakes.”

Gay Girl Prayers

by Emily Austin

Brick Books, March 2024

“A collection of poetry reclaiming Catholic prayers and biblical passages to empower girls, women, and members of the LGBTQIA+ community.”

Sugar Kids

by Taslim Burkowicz

Fernwood Publishing, April 2024

“Baby’s a skater girl trying to get through high school like everyone else. Except she loves Victorian gothic fiction, experiences violent tremors, and gets visits from the ghost of her twin. Ravi never really died for her, not like her mom did last year. When Baby gets kicked out of the house for not conforming with her Indo-Canadian family’s gender expectations, everything changes. Her new, glamorous friend Delilah introduces her to all-night parties held in exclusive clubs, abandoned warehouses, and magical cornfields – the underground rave scene in 1990s Vancouver.

But how will Baby fit into this new world?

Join Baby on her wild search for belonging through the landscape of acid house, complete with extraordinary music, retro fashion, and copious substance use. Alongside eccentric DJs, misanthropic skaters, and denim-clad ghosts, Baby explores her sexual and cultural identity. A coming-of-age tale, Sugar Kids is an homage to the subcultures animating the nineties.”

The Years Shall Run Like Rabbits

by Ben Berman Ghan

Buckrider Books, May 2024

“A gorgeously complex work of literary speculative fiction that spans centuries The Years Shall Run Like Rabbits starts in 2014 with a winged alien sowing the seeds of a strange forest on the moon. The novel then moves through humanity’s colonization of the moon and its consequences, onto a war with alien beings within a space-going whale, a cyborg mind that sleeps for hundreds of years after sheltering the city of Toronto from the worst of the war and finally a re-creation of humanity. Ghan poses thoughtful questions about artificial intelligence, humanities quest for the stars and ecological destruction in this wide-ranging story, which is held together equally by beautiful writing and deft characterization. The end result is an ambitious debut that leaves the reader contemplating many amazing possibilities for the future of our world.”

The Utopian Generation

by Pepetela (author), David Brookshaw (transl.)

Biblioasis, August 2024

“A seminal novel of African decolonization available for the first time in English translation.

Lisbon, 1961. To escape surveillance by the dictatorship’s secret police, African students meet at the Casa, a campus club, where they dream of the homelands they will free from colonialism. Following four young revolutionaries who dream of building an epic campaign for a liberated, socialist Angola, The Utopian Generation charts the intertwined destinies of Sara, an idealistic doctor; Aníbal, an intense intellectual; Vítor, an aspiring political leader; and Malongo, a party-hopping soccer player. But when repression scatters them, they move from Europe to Africa, from idealism to disillusionment, from terror and battlefield violence to love, loss, grief, corruption, and cold-blooded calculation.

Vast in scope yet intricate and revealing in its insights into the psychological tensions of colonialism, The Utopian Generation is widely considered in the Portuguese-speaking world an essential novel of African decolonization – and is now available in English translation for the first time.”

Marrow Memory: Essays of Discovery

by Margaret Nowaczyk

Wolsak & Wynn, June 2024

“In Marrow Memory: Essays of Discovery Margaret Nowaczyk explores different facets of her life, from listening to the radio dramas of her childhood in Communist Poland to her work now as a pediatric clinical geneticist. These are beautifully crafted essays, full of hard-won truths and insights, generously shared with the reader. Whether struggling with English as a teenaged refugee or documenting the process of permanent hair dye, Nowaczyk moves seamlessly between scientific and personal writing, bridging the gap between these two areas with elegance and humour. Marrow Memory is an invitation to the reader to marvel in the unexpected beauties of human experience and the ability of language to capture that.”

Bead Talk: Indigenous Knowledge and Aesthetics from the Flatlands

by Carmen L. Robertson (Editor), Judy Anderson (Editor), Katherine Boyer (Editor)

University of Manitoba Press, May 2024

“Sewing new understandings

Indigenous beadwork has taken the art world by storm, but it is still sometimes misunderstood as static, anthropological artifact. Today’s prairie artists defy this categorization, demonstrating how beads tell stories and reclaim cultural identity. Whether artists seek out and share techniques through YouTube videos or in-person gatherings, beading fosters traditional methods of teaching and learning and enables intergenerational transmissions of pattern and skill.

In Bead Talk, editors Carmen Robertson, Judy Anderson, and Katherine Boyer gather conversations, interviews, essays, and full-colour reproductions of beadwork from expert and emerging artists, academics, and curators to illustrate the importance of beading in contemporary Indigenous arts. Taken together, the book poses and responds to philosophical questions about beading on the prairies: How do the practices and processes of beading embody reciprocity, respect, and storytelling? How is beading related to Indigenous ways of knowing? How does beading help individuals reconnect with the land? Why do we bead?

Showcasing beaded tumplines, text, masks, regalia, and more, Bead Talk emphasizes that there is no one way to engage with this art. The contributors to this collection invite us all into the beading circle as they reshape how beads are understood and stitch together generations of artists.”

Teeth

by Dallas Hunt

Nightwood Editions, April 2024

“This is a book about grief, death and longing. It’s about the gristle that lodges itself deep into one’s gums, between incisors and canines.

Teeth details not only the symptoms of colonization, but also the foundational and constitutive asymmetries that allow for it to proliferate and reproduce itself. Dallas Hunt grapples with the material realities and imaginaries Indigenous communities face, as well as the pockets of livability that they inhabit just to survive. Still this collection seeks joy in the everyday, in the flourishing of Indigenous Peoples in the elsewhere, in worlds to come.

Nestling into the place between love and ruin, Teeth traces the collisions of love undone and being undone by love, where ‘the hope is to find an ocean nested in shoulders – to reside there when the tidal waves come. and then love names the ruin.’”

All In Her Head: How Gender Bias Harms Women's Mental Health

by Misty Pratt

Greystone Books, May 2024

“This provocative, deeply personal book explores how women experience mental health care differently than men – and lays out how the system must change for women to flourish.

Why are so many women feeling anxious, stressed out, and depressed, and why are they not getting the help they need? Over the past decade, mood disorders have skyrocketed among women, who are twice as likely to be diagnosed as men. Yet in a healthcare system steeped in gender bias, women’s complaints are often dismissed, their normal emotions are pathologized, and treatments routinely fail to address the root causes of their distress. Women living at the crossroads of racial, economic, and other identities face additional barriers. How can we pinpoint what’s wrong with women’s mental health, and what needs to change?

In All in Her Head, science writer Misty Pratt embarks on a crucial investigation, painting a picture of a system that is failing women on multiple levels. Pratt, who shares her own history of mental illness, explores the stereotypes that have shaped how we understand and treat women’s distress, from the Ancient Greek concept of ‘hysteria’ to today’s self-help solutions. Weaving together science and women’s personal stories, All in Her Head debunks mental health myths and challenges misconceptions, addressing the following questions:

When did normal emotions become symptoms of a disorder?
What are specific risk factors for common mental disorders that disproportionately affect women?
How did ‘burnout’ become a women’s disease?
What can we do to make peace with our moods and embrace the gifts of our emotions?

Pratt also tackles the thorny topic of medication, taking a nuanced and evidence-based approach. Women who present at their doctor’s office with depression, anxiety, or stress are often prescribed antidepressants as a first-line treatment: at least one in four American women are now taking these medications. Antidepressants have a real effect that can be helpful for some individuals; however, Pratt persuasively argues that our current approach ignores the underlying causes of most women’s depressive symptoms.

Today, a rising movement of women is demanding better when it comes to mental health treatment. Armed with the latest science, insight from those who have been through the therapeutic system, and enough humor to lighten the load, All in Her Head provides women with hope and courage to reframe and reclaim their mental health.”

Get well soon

by Jamie Sharpe

ECW Press, APril 2024

“In the spring of 2020, Jamie Sharpe was in New Brunswick, purportedly studying the famed Magnetic Hill outside Moncton. A dog-walker discovered Sharpe in a ditch, disrobed except for his backpack containing a manuscript …

With his fifth collection, Get Well Soon, Sharpe reaffirms ‘he is utter master of his language. Whether [Sharpe’s] poems are the result of long lucubration or the inspiration of the moment, they bear no mark of effort, and it is not without admiration, nor even without astonishment, that one is carried along – by the noble, unswerving amble of those gorgeous stanzas, proud white hackneys harnessed in gold – into the glory of the evenings. Rich and subtle, [Jamie Sharpe]’s poetry is never merely lyrical; it always encloses an idea within the garland of its metaphors, and however vague or general that idea may be, it serves to strengthen the necklace; the pearls are secured by a thread that, though sometimes invisible, is ever sure.’”

Parade

by Rachel cusk

Farrar, Straus and Giroux, June 2024

“From Rachel Cusk, author of the Outline trilogy, comes this startling, exhilarating novel that once again expands the notion of what fiction can be and do.

Midway through his life, the artist G begins to paint upside down. Eventually, he paints his wife upside down. He also makes her ugly. The paintings are a great success.

In Paris, a woman is attacked by a stranger in the street. Her attacker flees, but not before turning around to contemplate her victim, like an artist stepping back from a canvas.

At the age of twenty-two, the painter G leaves home for a new life in another country, far from the disapproval of her parents. Her paintings attract the disapproval of the man she later marries.

When a mother dies, her children confront her legacy: the stories she told, the roles she assigned to them, the ways she withheld her love. Her death is a kind of freedom.

Parade is a novel that demolishes the conventions of storytelling. It surges past the limits of identity, character, and plot to tell the story of G, an artist whose life contains many lives. Rachel Cusk is a writer and visionary like no other, who turns language upside down to show us our world as it really is.”

Let's Get Creative: Art for a Healthy Planet

by Jessica Rose (author), Jarett Sitter (illus.)

Orca Book Publishers, May 2024

“Environmental artists across the globe are using their creativity to help the environment and create a more sustainable world.

There’s no question that creating art makes our lives better. Just think about how happy you feel when you’re dancing, singing, painting or crafting. But have you ever stopped to think about how creating art might make the world better, too?

Environmental artists around the world are harnessing their creativity to help the planet. And their work isn’t just beautiful to look at. Some are creating important art that protects animal habitats, reclaims damaged natural environments, increases biodiversity and restores ecosystems. Others are raising awareness about local and global environmental challenges, including the climate crisis, soil erosion, pollution and habitat loss. Incredible art is featured, such as the Indigenous Art Park in Edmonton, artificial coral reef installations in the Caribbean Sea and a tree sculpture in Bristol, England, fitted with solar panels that can charge phones and computers. Let's Get Creative: Art for a Better World encourages young readers to explore how creativity can make the earth a cleaner and greener place for everyone.”

Big Mall: Shopping for Meaning

by Kate Black

Coach House Books, February 2024

“A phenomenology of the mall: If the mall makes us feel bad, why do we keep going back? In a world poisoned by capitalism, is shopping what makes life worth living?

Kate Black grew up in West Edmonton Mall – a mall on steroids, notorious for its indoor waterpark, deadly roller coaster, and controversial dolphin shows. But everyone has a favourite mall, or a mall that is their own personal memory palace. It's a place people love to hate and hate to love – a site of pleasure and pain, of death and violence, of (sub)urban legend.

Blending a history of shopping with a story of coming of age in North America's largest and strangest mall, Big Mall investigates how these structures have become the ultimate symbol of late-capitalist dread – and, surprisingly, a subversive site of hope.”

Dispersals: On Plants, Borders, and Belonging

by Jessica J. Lee

Hamish Hamilton, March 2024

“The prize-winning and bestselling author of Two Trees Make a Forest turns to the lives of plants entangled in our human world to explore belonging, displacement, identity, and the truths of our shared future

A seed slips beyond a garden wall. A tree is planted on a precarious border. A shrub is stolen from its culture and its land. What happens when these plants leave their original homes and put down roots elsewhere?

The themes in these fourteen essays become invigorating and intimate in Lee’s hands, centering on the lives of plants like seaweed, tangelos, and soy, and their entanglement with our human worlds. Lee explores the rich backstory of cherry trees in Berlin; a tea plant that grows in the Himalayan foothills just southwest of China; the world of algae and wakame, and the journeys they’ve made to reach us.

Each of the plants considered in this collection are somehow perceived as being ‘out of place’ – weeds, samples collected through imperial science, crops introduced and transformed by our hand. Lee looks at these plant species in their own context, even when we find them outside of it.

Dispersals draws a gorgeous, sprawling map of the diaspora of flora. Combining memoir, history, and scientific research in poetic prose, Jessica J. Lee meditates on the question of how both plants and people come to belong, why both cross borders, and how our futures are more entwined than we might imagine.”