What We're Reading: Editors' Picks, Spring 2020

Here are some titles that our editors are especially excited to read this spring.*

Daughters of Smoke and Fire

BY Ava homa

HarperCollins Canada, May 2020

“Set in Iran, this extraordinary debut novel takes readers into the everyday lives of the Kurds. Leila dreams of making films to bring the suppressed stories of her people onto the global stage, but obstacles keep piling up. Leila’s younger brother, Chia, influenced by their father’s past torture and imprisonment, and his own deep-seated desire for justice, begins to engage with social and political affairs. But his activism grows increasingly risky, and one day he disappears in Tehran. Seeking answers about her brother’s whereabouts and fearing the worst, Leila begins a campaign to save him. But when she publishes Chia’s writings online, she realizes that she too is in grave danger. A family friend with ties to Canada offers to help, but Leila must struggle to forgive him for his role in Chia’s disappearance.

Daughters of Smoke and Fire is an evocative portrait of the stakes faced by 40 million stateless Kurds. A powerful story that brilliantly illuminates the meaning of identity and the complex bonds of family, it is perfect for fans of Khaled Hosseini’s The Kite Runner, Rawi Hage's De Niro's Game and Chimamanda Ngozi Adichie’s Half of a Yellow Sun.”

Roguelike

BY Mathew Henderson

House of Anansi, April 2020

“Mathew Henderson’s Roguelike, the much-anticipated follow-up to his acclaimed 2012 debut The Lease, melds the unique online vocabulary, culture, and logic of video games with family and addiction narratives, specifically the poet’s relationship with his mother and her struggle with narcotics. The resulting poems are arresting and fresh, mining game mythology, fantasy, and family history, while exploring the rich connection between video gaming and notions of addiction, repetition, storytelling, and escapism.

Though the poems are largely narrative, ultimately Roguelike is less about stories themselves than it is about the psychological and emotional forces that define how and why we make them — how we’re all moved to shape the disparate and seemingly unconnected events of our lives into something meaningful, to make sense of the past and the present through storytelling.”

You Are Not What We Expected

BY Sidura Ludwig

House of Anansi, May 2020

“This stunningly intimate collection of stories is an exquisite portrait of a Jewish community — the secular and religious families who inhabit it and the tensions that exist there — that illuminates the unexpected ways we remain connected during times of change.

When Uncle Isaac moves back from L.A. to help his sister, Elaine Levine, care for her suddenly motherless grandchildren, he finds himself embroiled in even more drama than he would like in their suburban neighbourhood. Meanwhile, a nanny miles from her own family in the Philippines, cares for a young boy who doesn’t fit in at school. A woman in mid-life contends with the task of cleaning out the house in which she grew up, while her teenage son struggles with why his dad moved out. And down the street, a mother and her two daughters prepare for a wedding and transitions they didn’t see coming.

Spanning fifteen years in the lives of a multi-generational family and their neighbours, this remarkable collection is an intimate portrait of a suburban Jewish community by a writer with a keen eye for detail, a gentle sense of humour, and an immense literary talent.”

NIshga

BY Jordan Abel

McClelland & Stewart, December 2020

“As a Nisg’a writer, Jordan Abel often finds himself in a position where he is asked to explain his relationship to Nisga’a language, Nisga'a community, and Nisga’a cultural knowledge. However, as an intergenerational survivor of residential school--both of his grandparents attended the same residential school—his relationship to his own Indigenous identity is complicated to say the least.

NISHGA explores those complications and is invested in understanding how the colonial violence originating at the Coqualeetza Indian Residential School impacted his grandparents’ generation, then his father’s generation, and ultimately his own. The project is rooted in a desire to illuminate the realities of intergenerational survivors of residential school, but sheds light on Indigenous experiences that may not seem to be immediately (or inherently) Indigenous.

Drawing on autobiography and a series of interconnected documents (including pieces of memoir, transcriptions of talks, and photography), NISHGA is a book about confronting difficult truths and it is about how both Indigenous and non-Indigenous peoples engage with a history of colonial violence that is quite often rendered invisible.”

A Bite of the Apple: A Life with Books, Writers, and Virago

BY Lennie Goodings

Biblioasis, June 2020

“Following the chronology of the press where she has worked nearly since its founding, Lennie Goodings tells the story of the group of visionary publishers and writers who have made Virago one of the most important and influential publishers in the English-speaking world. Like the books she has edited and published—by writers ranging from Maya Angelou and Margaret Atwood to Sarah Waters and Naomi Wolf—Goodings’s contribution to the genre breaks new ground as well, telling a story of women in the world of work, offering much needed balance to the male-dominated genre of publishing memoirs, and chronicling a critical aspect of the history of feminism: how women began to assume control over the production of their own books.

Part memoir, part literary history, and part reflection on more than forty years of feminist publishing, A Bite of the Apple is a story of idealism and pragmatism, solidarity and individual ambition, of challenges met and the battles not yet won—and, above all, a steadfast celebration of the making and reading of books.”

They Said This Would Be Fun:

Race, Campus Life, and Growing Up

BY Eternity Martis

McClelland & Stewart, March 2020

“A booksmart kid from Toronto, Eternity Martis was excited to move away to Western University for her undergraduate degree. But as one of the few Black students there, she soon discovered that the campus experiences she'd seen in movies were far more complex in reality. Over the next four years, Eternity learned more about what someone like her brought out in other people than she did about herself. She was confronted by white students in blackface at parties, dealt with being the only person of colour in class and was tokenized by her romantic partners. She heard racial slurs in bars, on the street, and during lectures. And she gathered labels she never asked for: Abuse survivor. Token. Bad feminist. But, by graduation, she found an unshakeable sense of self—and a support network of other women of colour.

Using her award-winning reporting skills, Eternity connects her own experience to the systemic issues plaguing students today. It's a memoir of pain, but also resilience.”

Dead Mom Walking

BY Rachel Matlow

Viking, March 2020

“When her mother is diagnosed with cancer, Rachel Matlow is concerned but hopeful. It's Stage 1, so her mom will get surgery and everything will go back to normal. But growing up in Rachel's family, there was no normal. Elaine, an alternative school teacher and self-help junkie, was never a capital M "Mommy"—she spent more time meditating than packing lunches—and Rachel, who played hockey with the boys and refused to ever wear a dress, was no ordinary daughter.

When Elaine decides to forgo conventional treatment and heal herself naturally, Rachel is forced to ponder whether the very things that made her mom so special—her independent spirit, her belief in being the author of her own story—are what will ultimately kill her. As the cancer progresses, so does Elaine's conviction in doing things her way. She assembles a dream team of alternative healers, gulps down herbal tinctures with every meal, and talks (with respect) to her cancer cells. Anxious and confused, Rachel is torn between indulging her pie-in-the-sky pursuits (ayahuasca and all) and pleading with the person who's taking her mother away.

With irreverence and honesty—and a little help from Elaine's journals and self-published dating guide, plus hours of conversations recorded in her dying days—Matlow brings her inimitable mother to life on the page. Dead Mom Walking is the hilarious and heartfelt story of what happens when two people who've always written their own script go head to head with each other, and with life's least forgiving plot device.”

The Eyelid

BY S.D. Chrostowska

Coach House Books, April 2020

“An unnamed, unemployed, dream-prone narrator finds himself following Chevauchet, diplomat of Onirica, a foreign republic of dreams, to resist a prohibition on sleep in near-future America. On a mission to combat the state-sponsored drugging of citizens with uppers for greater productivity, they traverse an eerie landscape in an everlasting autumn, able to see inside other people’s nightmares and dreams. As Comprehensive Illusion – a social media-like entity that hijacks creativity – overtakes the masses, Chevauchet, the old radical, weakens and disappears, leaving our narrator to take up Chevauchet's dictum that "daydreaming is directly subversive” and forge ahead on his own.

In slippery, exhilarating and erudite prose, The Eyelid revels in the camaraderie of free thinking that can only happen on the lam, aiming to rescue a species that can no longer dream.”

The Subtweet

BY Vivek Shraya

ECW Press, April 2020

“Everyone talks about falling in love, but falling in friendship can be just as captivating. When Neela Devaki’s song is covered by internet-famous artist Rukmini, the two musicians meet and a transformative friendship begins.

But as Rukmini’s star rises and Neela’s stagnates, jealousy and self-doubt creep in. With a single tweet, their friendship implodes, one career is destroyed, and the two women find themselves at the center of an internet firestorm.

Celebrated multidisciplinary artist Vivek Shraya’s second novel is a stirring examination of making art in the modern era, a love letter to brown women, an authentic glimpse into the music industry, and a nuanced exploration of the promise and peril of being seen.”

No More Nice Girls: Gender, Power, and Why It’s Time to Stop Playing by the Rules

by Lauren McKeon

House of Anansi, March 2020

“In the age of girl bosses, Beyoncé, and Black Widow, we like to tell our little girls they can be anything they want when they grow up, except they’ll have to work twice as hard, be told to “play nice,” and face countless double standards that curb their personal, political, and economic power. Women today remain a surprisingly, depressingly long way from gender and racial equality. It’s worth asking: Why do we keep playing a game we were never meant to win?

Award-winning journalist and author of F-Bomb: Dispatches from the War on Feminism, Lauren McKeon examines the many ways in which our institutions are designed to keep women and other marginalized genders at a disadvantage. In doing so, she reveals why we need more than parity, visible diversity, and lone female CEOs to change this power game. She talks to people doing power differently in a variety of sectors and uncovers new models of power. And as the toxic, divisive, and hyper-masculine style of leadership gains ground, she underscores why it’s time to stop playing by the rules of a rigged game.”

Last Impressions

BY Joseph Kertes

Penguin Canada, March 2020

“Zoltan Beck is dying. His devoted but long-suffering sons, Ben and Frank, are trying to prepare themselves and their families for Zoltan's eventual departure...but they can't quite bring themselves to believe that the end is really at hand, and neither can Zoltan himself. The head of a family marked by war and tragedy for decades, he "can't stand to be in a room with a miserable person" and has done his best to keep the pain of his refugee past from his beloved children. But as he faces the end of his life, he discovers a heartbreaking secret from the War that will ultimately bring the family together—or irrevocably disrupt it. Set in both mid-20th century Hungary and contemporary Toronto, this is a deeply moving novel that revels in the energy of its extraordinary characters. It is the story of lost love and newfound connections, of a father and his sons desperately reaching out to bridge an ever-widening gap...even as their time together ebbs away.”

Blood and Money: War, Slavery, Finance and Empire

BY David McNally

Fernwood Publishing, June 2020

“In most accounts of the origins of money we are offered pleasant tales in which it arises to the mutual benefit of all parties as a result of barter. In this groundbreaking study, David McNally reveals the true story of money’s origins and development as one of violence and human bondage. Money’s emergence and its transformation are shown to be intimately connected to the buying and selling of slaves and the waging of war. Blood and Money demonstrates the ways that money has “internalized” its violent origins, making clear that it has become a concentrated force of social power and domination. Where Adam Smith observed that monetary wealth represents “command over labor,” this paradigm shifting book amends his view to define money as comprising the command over persons and their bodies.”

Against Amazon and Other Essays

BY Jorge CarriÓn

Biblioasis, April 2020

“Picking up where the widely praised Bookshops: A Reader’s History left off, Against Amazon explores the increasing pressures of Amazon and other new technologies on bookshops and libraries. Collecting the author’s essays on these vital social, cultural, and intellectual spaces, as well as his interviews with the writers who love them—including Alberto Manguel, Iain Sinclair, Luigi Amara and Han Kang, among others—Against Amazon is equal parts a history of books and bookshops, an autobiography of a reader, a travelogue, a love letter—and, most urgently, a manifesto against the corrosive pressures of late capitalism.”

On Nostalgia

BY David Berry

Coach House Books, May 2020

“From movies to politics, social media posts to the targeted ads between them, nostalgia is one of the most potent forces of our era. On Nostalgia is a panoramic cultural history of nostalgia, exploring how a force that started as a psychological diagnosis of soldiers fighting far from home has come become a quintessentially modern condition. Drawing on everything from the modern science of memory to the romantic ideals of advertising, and traversing cultural movements from futurism to fascism to Facebook, cultural critic David Berry examines how the relentless search for self and overwhelming presence of mass media stokes the fires of nostalgia, making it as inescapable as it is hard to pin down. Holding fast against the pull of the past while trying to understand what makes the fundamental impossibility of return so appealing, On Nostalgia explores what it means to remember, how the universal yearning is used by us and against us, and it considers a future where the past is more readily available and easier to lose track of than ever before.”

The Poetic Imperative:
A Speculative Aesthetics

BY Johanna Skibsrud

McGill-Queen’s University Press, April 2020

“This book aims to expand our sense of poetry's reach and potential impact. It is an effort at recouping the poetic imperative buried within the first taxonomic description of human being: "nosce te ipsum," or "know yourself." Johanna Skibsrud explores both poetry and human being not as fixed categories but as active processes of self-reflection and considers the way that human being is constantly activated within and through language and thinking.

By examining a range of modern and contemporary poets including Wallace Stevens, M. NourbeSe Philip, and Anne Carson, all with an interest in playfully disrupting sense and logic and eliciting unexpected connections, The Poetic Imperative highlights the relationship between the practice of writing and reading and a broad tradition of speculative thought. It also seeks to demonstrate that the imperative "know yourself" functions not only as a command to speak and listen, but also as a call to action and feeling. The book argues that poetic modes of knowing - though central to poetry understood as a genre - are also at the root of any conscious effort to move beyond the subjective limits of language and selfhood in the hopes of touching upon the unknown.

Engaging and erudite, The Poetic Imperative is an invitation to direct our attention simultaneously to the finite and embodied limits of selfhood, as well as to what those limits touch: the infinite, the Other, and truth itself.”

Shame on Me: An Anatomy of Race and Belonging

BY Tessa McWatt

Random House Canada, March 2020

“Tessa McWatt has been called Susie Wong, Pocahontas and "black bitch," and has been judged not black enough by people who assume she straightens her hair. Now, through a close examination of her own body--nose, lips, hair, skin, eyes, ass, bones and blood--which holds up a mirror to the way culture reads all bodies, she asks why we persist in thinking in terms of race today when racism is killing us.

Her grandmother's family fled southern China for British Guiana after her great uncle was shot in his own dentist's chair during the First Sino-Japanese War. McWatt is made of this woman and more: those who arrived in British Guiana from India as indentured labour and those who were brought from Africa as cargo to work on the sugar plantations; colonists and those whom colonialism displaced. How do you tick a box on a census form or job application when your ancestry is Scottish, English, French, Portuguese, Indian, Amerindian, African and Chinese? How do you finally answer a question first posed to you in grade school: "What are you?" And where do you find a sense of belonging in a supposedly "post-racial" world where shadism, fear of blackness, identity politics and call-out culture vie with each other noisily, relentlessly and still lethally?

Shame on Me is a personal and powerful exploration of history and identity, colour and desire from a writer who, having been plagued with confusion about her race all her life, has at last found kinship and solidarity in story.”

We Resist: Defending the Common Good in Hostile Times

Edited by Cynthia Levine-Rasky and Lisa Kowalchuk

McGill-Queen’s University Press, May 2020

“The 2016 US presidential election exposed rising xenophobic and nationalist sentiment within the United States and other democratic countries. As populist movements grow, democratic freedoms erode. We Resist demonstrates that the things we often take for granted - safety, family, employment, health, a promising future - are under attack, and we must fight to preserve these resources before it's too late.

We are currently witnessing the dismantlement of social programs, growing disinterest in international cooperation, and the devaluation of evidence-based knowledge. This disturbing shift in politics is leading to increased national security measures, violations to basic human rights, and widening social and economic inequalities. The rise of far-right populism brings with it intolerance of ethnic, sexual, and all other minority groups, and a rejection of democratic society. We Resist gathers the compelling perspectives of scholars and activists who are deeply embedded within political and community struggles, who participate in policy decisions, and who are engaged in research that advances those struggles.

An essential and timely book, We Resist confronts the problems we face as a human community and impels a cross-sectoral movement to defend our rights and revitalize the common good.”

List of Contributors

Pat Armstrong (York), Matthew Behrens (Homes Not Bombs), Aziz Choudry (McGill), John Clarke (Ontario Coalition Against Poverty), Ed Corrigan, Steve D'Arcy (Huron University College), Richard Day (Queen's), Carolyn Egan (United Steelworkers Local 8300), Amira Elghawaby, Bernie Farber (Canadian Anti-Hate Network), Melissa Graham, Max Haiven (Lakehead), Mostafa Henaway (Immigrant Workers Centre), Alia Hogben (Canadian Council for Muslim Women), Philip Howard (McGill), Dan Irving (Carleton), Uzma Jamil (McGill), Yasmin Jiwani (Concordia), Caitlyn Kasper (Aboriginal Legal Services), El-Farouk Khaki, Ian MacDonald (Université de Montréal), Tim McCaskell, Neil McLaughlin (McMaster), David Murakami Wood (Queen's), Janice Newson (York), Alex Neve (Amnesty International Canada), Morgane Oger, Pamela Palmater (Ryerson), Barbara Perry (UOIT), Margaret Reid, Kikélola Roach (Ryerson), Michelle Robidoux, Len Rudner, Alan Sears (Ryerson), Kim Sauder, Stephen Sheps (Ryerson), Keith Stewart (Greenpeace Canada), Mark Thomas (York), Steven Tufts (York), Lorne Waldman, Vanessa Watts (McMaster), and Lesley J. Wood (York).

Aftermath: A Firefighter’s Life

by Bryan Ratushniak

Cormorant Books, November 2020

“Who doesn’t run to the window when a fire truck rushes by? Bryan Ratushniak, has spent a thirty-two-year career working on the busiest fire trucks in Canada and has detailed his adventures in this insightful memoir.

The book details the emotional damage inflicted by the horrors of the job and how the author came out the other side more or less in one piece. Ratushniak shares the ups and downs of balancing home and professional life while trying to hold on to his sanity.

Aftermath: A Firefighter's Life is filled with candid, humorous, tragic, and hopeful stories from behind the ‘big red doors.’”

A History of my Brief Body

by Billy-Ray Belcourt

Hamish Hamilton, August 2020

“Billy-Ray Belcourt's debut memoir opens with a tender letter to his kokum and memories of his early life in the hamlet of Joussard, Alberta, and on the Driftpile First Nation. From there, it expands to encompass the big and broken world around him, in all its complexity and contradictions: a legacy of colonial violence and the joy that flourishes in spite of it, first loves and first loves lost, sexual exploration and intimacy, and the act of writing as a survival instinct and a way to grieve. What emerges is not only a profound meditation on memory, gender, anger, shame, and ecstasy, but also the outline of a way forward. With startling honesty, and in a voice distinctly and assuredly his own, Belcourt situates his life experiences within a constellation of seminal queer texts, among which this book is sure to earn its place. Eye-opening, intensely emotional, and excessively quotable, A History of My Brief Body demonstrates over and over again the power of words to both devastate and console us.”

The Glass Hotel

by EMILY ST. JOHN MANDEl

Knopf, March 2020

“Vincent is a bartender at the Hotel Caiette, a five-star lodging on the northernmost tip of Vancouver Island. On the night she meets Jonathan Alkaitis, a hooded figure scrawls a message on the lobby’s glass wall: ‘Why don’t you swallow broken glass.’ High above Manhattan, a greater crime is committed: Alkaitis is running an international Ponzi scheme, moving imaginary sums of money through clients’ accounts. When the financial empire collapses, it obliterates countless fortunes and devastates lives. Vincent, who had been posing as Jonathan’s wife, walks away into the night. Years later, a victim of the fraud is hired to investigate a strange occurrence: a woman has seemingly vanished from the deck of a container ship between ports of call.

In this captivating story of crisis and survival, Emily St. John Mandel takes readers through often hidden landscapes: campgrounds for the near-homeless, underground electronica clubs, the business of international shipping, service in luxury hotels, and life in a federal prison. Rife with unexpected beauty, The Glass Hotel is a captivating portrait of greed and guilt, love and delusion, ghosts and unintended consequences, and the infinite ways we search for meaning in our lives.”