Shazia Hafiz Ramji Reviews Billeh Nickerson’s Duct-Taped Roses and Aaron Tucker’s Catalogue d’oiseaux
David Neil Lee Reviews Mark Miller’s Of Stars and Strings: A Biography of Sonny Greenwich
Following the Footlights into the Forest: Mark Grenon Reviews Pearl Pirie’s footlights
Art as Connection in the Keeping Six Quarterly
Anuja Varghese Reviews Nisha Patel’s Coconut: A Review in Conversations
Jaclyn Desforges Reviews Saturn Peach and Interviews Lily Wang
Liz Harmer Reviews Crosshairs by Catherine Hernandez
Jen Rawlinson Reviews Sheung-King’s You Are Eating an Orange. You Are Naked.
Megan Cole Reviews Emily Urquhart’s The Age of Creativity: Art, Memory, My Father and Me
Marcie McCauley Reviews Farzana Doctor’s Seven
Claire Francis Reviews Francesca Ekwuyasi’s Butter Honey Pig Bread
Shazia Hafiz Ramji Reviews Dominik Parisien’s Side Effects May Include Strangers
Jamie Tennant Reviews Greg Marquis’ John Lennon, Yoko Ono and the Year Canada Was Cool
David A. Robertson Reviews Thomas King's Indians on Vacation
Jennifer McCartney Reviews Brent van Staalduinen's Boy
Reviews, Between IssuesDana HansenReviews, Between Issues, Summer 2020, Boy, Brent van Staalduinen, Jennifer McCartney, Spring 2020, Issue 8, Spring/Summer 2020
Mark Grenon Reviews Gary Barwin's For It Is a Pleasure and a Surprise to Breathe: New & Selected Poems
Jessica Rose Reviews Catherine Ocelot's Art Life
Chelene Knight Reviews Jillian Christmas's The Gospel of Breaking and Canisia Lubrin's The Dyzgraphxst
Miranda Carroll Reviews Tyler Enfield's Like Rum-Drunk Angels
Shazia Hafiz Ramji Reviews Maria Reva's Good Citizens Need Not Fear