What We're Reading: Editors' Picks, Fall 2020

Here are some titles that our editors are especially excited to read this fall.*

Stoop City

by Kristyn Dunnion

Biblioasis, September 2020

“Welcome to Stoop City, where your neighbours include a condo-destroying cat, a teen queen beset by Catholic guilt, and an emergency clinic staffed entirely by lovelorn skeptics. Couples counseling with Marzana, her girlfriend’s ghost, might not be enough to resolve past indiscretions; our heroine could need a death goddess ritual or two. Plus, Hoofy’s not sure if his missing scam-artist boyfriend was picked up by the cops, or by that pretty blonde, their last mark. When Jan takes a room at Plague House, her first year of university takes an unexpected turn – into anarcho-politics and direct action, gender studies and late-night shenanigans with Saffy, her captivating yet cagey housemate.

From the lovelorn Mary Louise, who struggles with butch bachelorhood, to rural teens finding – and found by – adult sexualities, to Grimm’s “The Golden Goose” rendered as a jazz dance spectacle, Kristyn Dunnion’s freewheeling collection fosters a radical revisioning of community. Dunnion goes wherever there’s a story to tell – and then, out of whispers and shouts, echoes and snippets, gritty realism and speculative fiction, illuminates the delicate strands that hold us all together.”

Hench

by Natalie Zina Walschots

William Morrow, September 2020

“Anna does boring things for terrible people because even criminals need office help and she needs a job. Working for a monster lurking beneath the surface of the world isn’t glamorous. But is it really worse than working for an oil conglomerate or an insurance company? In this economy?

As a temp, she’s just a cog in the machine. But when she finally gets a promising assignment, everything goes very wrong, and an encounter with the so-called “hero” leaves her badly injured. And, to her horror, compared to the other bodies strewn about, she’s the lucky one.

So, of course, then she gets laid off.

With no money and no mobility, with only her anger and internet research acumen, she discovers her suffering at the hands of a hero is far from unique. When people start listening to the story that her data tells, she realizes she might not be as powerless as she thinks.

Because the key to everything is data: knowing how to collate it, how to manipulate it, and how to weaponize it. By tallying up the human cost these caped forces of nature wreak upon the world, she discovers that the line between good and evil is mostly marketing. And with social media and viral videos, she can control that appearance.

It’s not too long before she’s employed once more, this time by one of the worst villains on earth. As she becomes an increasingly valuable lieutenant, she might just save the world.

A sharp, witty, modern debut, Hench explores the individual cost of justice through a fascinating mix of Millennial office politics, heroism measured through data science, body horror, and a profound misunderstanding of quantum mechanics.”

You Will Love What You Have Killed

by Kevin Lambert, trans. Donald Winkler

Biblioasis, August 2020

“Faldistoire’s grandfather thinks he’s a ghost. Sylvie’s mother reads tarot and summons stormclouds to mete her witch’s justice. Behind his Dad of the Year demeanour, Sébastien’s father hides dark designs. It’s Croustine’s grandfather who makes the boy a pair of slippers from the dead family dog, but it’s his father, the cannily-named Kevin Lambert, who always seems to be nearby when tragedy strikes, and in the cemetery, under the baleful eyes of toads, small graves are dug one after the other: Chicoutimi, Quebec, is a dangerous place for children. But these young victims of rape, arbitrary violence, and senseless murder keep coming back from the dead. They return to school, explore their sexualities, keep tabs on grown-up sins – and plot their apocalyptic retribution.

Surreal and darkly comic, this debut novel by Kevin Lambert, one of the most celebrated and controversial writers to come out of Quebec in recent memory, takes the adult world to task – and then takes revenge.”

Fauna

by Christiane Vadnais, trans. Pablo Strauss

Coach House, September 2020

“A thick fog rolls in over Shivering Heights. The river overflows, the sky is streaked with toxic green, parasites proliferate in torrential rains and once safely classified species – humans included – are evolving and behaving in unprecedented ways. Against this poetically hostile backdrop, a biologist, Laura, fights to understand the nature and scope of the changes transforming her own body and the world around her.

Ten lush and bracing linked climate fictions depict a world gorgeous and terrifying in its likeness to our own.

Fauna, Christiane Vadnais’s first work of fiction, won the Horizons Imaginaires speculative fiction award, the City of Quebec book award, and was named one of 2018’s best books by Radio-Canada.”

Little Threats

by Emily Schultz

G.P. Putnam’s Sons, November 2020

“In the summer of 1993, twin sisters Kennedy and Carter Wynn are embracing the grunge era and testing every limit in their privileged Richmond suburb. But Kennedy’s teenage rebellion goes too far when, after a night of partying in the woods, her best friend, Haley, is murdered, and suspicion quickly falls upon Kennedy. She can’t remember anything about the night in question, and this, along with the damning testimony from a college boy who both Kennedy and Haley loved, is enough to force Kennedy to enter a guilty plea.

In 2008, Kennedy is released into a world that has moved on without her. Carter has grown distant as she questions Kennedy’s innocence, and begins a relationship with someone who could drive the sisters apart forever. The twins’ father, Gerry, is eager to protect the family’s secrets and fragile bonds. But Kennedy’s return brings the tragedy back to the surface, along with a whole new wave of media. When a crime show host comes to town asking questions, believing the murder wasn’t as simple as it seemed, murky memories of Haley’s death come to light. As new suspects emerge and the suburban woods finally give up their secrets, two families may be destroyed again.”

Word Problems

by Ian Williams

Coach House, September 2020

“Frustrated by how tough the issues of our time are to solve – racial inequality, our pernicious depression, the troubled relationships we have with other people – Ian Williams revisits the seemingly simple questions of grade school for inspiration: if Billy has five nickels and Jane has three dimes, how many Black men will be murdered by police? He finds no satisfaction, realizing that maybe there are no easy answers to ineffable questions.

Williams uses his characteristic inventiveness to find not just new answers but new questions, reconsidering what poetry can be, using math and grammar lessons to shape poems that invite us to participate. Two long poems cut through the text like vibrating basenotes, curiosities circle endlessly, and microaggressions spin into lyric. And all done with a light touch and a joyful sense of humour.”

Take Back the Fight: Organizing Feminism for the Digital Age

by Nora Loreto

Fernwood Publishing, November 2020

“Two decades of neoliberalism have destroyed a structured, pan-regional feminist movement in Canada. As a result, new generations of feminists have come to age without ever seeing the force that an organized social movement can have in democratic society. They have never benefited from the knowledge, the debates, the actions, the mass mobilizations or the leadership that all accompany a social movement and instead organize in decentralized silos. As a result, government and corporate leaders have co-opted feminism to turn it into something that can be bought, sold, or used to attract voters. Campaigns like #BeenRapedNeverReported, #MeToo, the SlutWalks and the Canadian Women’s marches, while important, don’t yet have the organized power to bring the changes that activists seek to make in society.

In Take Back The Fight, Nora Loreto examines the state of modern feminism in Canada and argues that feminists must organize to take back feminism from politicians, business leaders and journalists who distort and obscure its power. Furthermore, Loreto urges today’s activists to overcome the challenges that sank the movement decades ago, to stop centering whiteness as the quintessential woman’s experience, and to find ways to rebuild the communities that have been obliterated by neoliberal economic policies.”

The Age of Creativity: Art, Memory, My Father, and Me

by Emily Urquhart

House of Anansi, September 2020

“It has long been thought that artistic output declines in old age. When Emily Urquhart and her family celebrated the eightieth birthday of her father, the illustrious painter Tony Urquhart, she found it remarkable that, although his pace had slowed, he was continuing his daily art practice of drawing, painting, and constructing large-scale sculptures, and was even innovating his style. Was he defying the odds, or is it possible that some assumptions about the elderly are flat-out wrong? After all, many well-known visual artists completed their best work in the last decade of their lives, Turner, Monet, and Cézanne among them. With the eye of a memoirist and the curiosity of a journalist, Urquhart began an investigation into late-stage creativity, asking: Is it possible that our best work is ahead of us? Is there an expiry date on creativity? Do we ever really know when we’ve done anything for the last time?

The Age of Creativity is a graceful, intimate blend of research on ageing and creativity, including on progressive senior-led organizations, such as a home for elderly theatre performers and a gallery in New York City that only represents artists over sixty, and her experiences living and travelling with her father. Emily Urquhart reveals how creative work, both amateur and professional, sustains people in the third act of their lives, and tells a new story about the possibilities of elder-hood.”

Love After the End: An Anthology of Two-Spirit and Indigiqueer Speculative Fiction

by Joshua Whitehead

Arsenal Pulp Press, September 2020

“This exciting and groundbreaking fiction collection showcases a number of new and emerging 2SQ (Two-Spirit and queer) Indigenous writers from across Turtle Island. These visionary authors show how queer Indigenous communities can bloom and thrive through utopian narratives that detail the vivacity and strength of 2SQness throughout its plight in the maw of settler colonialism's histories.

Here, readers will discover bioengineered AI rats, transplanted trees in space, the rise of a 2SQ resistance camp, a primer on how to survive Indigiqueerly, virtual reality applications, mother ships at sea, and the very bending of space-time continuums queered through NDN time. Love after the End demonstrates the imaginatively queer Two-Spirit futurisms we have all been dreaming of since 1492.

Contributors include Nathan Adler, Darcie Little Badger, Gabriel Castilloux Calderon, Adam Garnet Jones, Mari Kurisato, Kai Minosh Pyle, David Alexander Robertson, jaye simpson, and Nazbah Tom.”

Goth Girls of Banff

by John O’Neill

NeWest Press, November 2020

“John O’Neill’s gothic short stories, set in the Canadian Rockies, are haunted by the violence inherent in nature and humans. The mountains are majestic and impassive. The characters are surprising, bent, but also empathetic. Their survival is tenuous. A two-sister team of goth tour guides offers guided excursions up switchback mountain trails; a paroled convict thumbs his way into the life of a family driving west; and an animal pathologist, while performing a necropsy on a grizzly bear, has an unusual encounter with both technology and humanity.

Goth Girls of Banff is a superb collection, sharply written, with plot turns as consequence-laden as those on an iced-over mountain road.”

The Baddest Bitch in the Room: A Memoir

by Sophia Chang

Catapult, September 2020

“Fearless and unpredictable, Sophia Chang prevailed in a male-dominated music industry to manage the biggest names in hip-hop and R&B. The daughter of Korean immigrants in predominantly white suburban Vancouver, Chang left for New York City, and soon became a powerful voice in music boardrooms at such record companies as Atlantic, Jive, and Universal Music Group.

As an A&R rep, Chang met a Staten Island rapper named Prince Rakeem, now known as the RZA, founder of the Wu-Tang Clan, the most revered and influential rap group in hip-hop history. That union would send her on a transformational odyssey, leading her to a Shaolin monk who would become her partner, an enduring kung fu practice, two children, and a reckoning with what type woman she ultimately wanted to be.

For decades, Chang helped remarkably talented men tell their stories. Now, with The Baddest Bitch In The Room, she is ready to tell her own story of marriage, motherhood, aging, desire, marginalization, and martial arts. This is an inspirational debut memoir by a woman of color who has had the audacity to be bold in the pursuit of her passions, despite what anyone – family, society, the dominant culture – have prescribed.”

Brighten the corner where you are: a novel inspired by the life of maud lewis

BY carol bruneau

Vagrant Press, September 2020

One glimpse of the tiny painted house that folk art legend Maud Lewis shared with her husband, Everett, in Marshalltown, Nova Scotia, during the mid-twentieth century and the startling contrast between her joyful artwork and her life’s deprivations is evident. One glimpse at her photo and you realize, for all her smile’s shyness, she must’ve been one tough cookie. But, beneath her iconic resilience, who was Maud, really? How did she manage, holed up in that one-room house with no running water, married to a miserly man known for his drinking? Was she happy, or was she miserable? Did painting save or make her Everett’s meal ticket? And then there are the darker secrets that haunt her story: the loss of her parents, her child, her first love.

Against all odds, Maud Lewis rose above these constraints – and this is where you’ll find the Maud of Brighten the Corner Where You Are: speaking her mind from beyond the grave, freed of the stigmas of gender, poverty, and disability that marked her life and shaped her art. Unfettered and feisty as can be, she tells her story her way, illuminating the darkest corners of her life. In possession of a voice all her own, Maud demonstrates the agency that hovers within us all.

Four Umbrellas: A Couple’s Journey Into Young-Onset Alzheimer’s

by Jane Hutton &Tony Wanless

Dundurn Press, October 2020

“At the age of fifty-three, Tony walks away from a life of journalism and into an unknown future. June is forty-eight, a writer and teacher, and over the following decade watches as her husband changes – in interests, goals, and behaviour – until Tony has a fall, ending the life they had known.

A diagnosis is seven years away, yet the signs of Alzheimer’s are all around. A suitcase Tony packs for a trip is jammed with four umbrellas, a visual symbol of cognitive looping. But how far back do these signs go? The couple starts probing the past and finding answers. This is not an old person’s disease.”

Revolutionary Feminisms: Conversations on Collective Action and Radical Thought

edited BY Brenna Bhandar and Rafeef Ziadah

Verso, August 2020

“In a moment of rising authoritarianism, climate crisis, and ever more exploitative forms of neoliberal capitalism, there is a compelling and urgent need for radical paradigms of thought and action. Through interviews with key revolutionary scholars, Bhandar and Ziadah present a thorough discussion of how anti-racist, anti-capitalist feminisms are crucial to building effective political coalitions. Collectively, these interviews with leading scholars including Angela Y. Davis, Silvia Federici, and many others, trace the ways in which black, indigenous, post-colonial and Marxian feminisms have created new ways of seeing, new theoretical frameworks for analysing political problems, and new ways of relating to one another. Focusing on migration, neo-imperial militarism, the state, the prison industrial complex, social reproduction and many other pressing themes, the range of feminisms traversed in this volume show how freedom requires revolutionary transformation in the organisation of the economy, social relations, political structures, and our psychic and symbolic worlds.

The interviews include Avtar Brah, Gail Lewis and Vron Ware on Diaspora, Migration and Empire. Himani Bannerji, Gary Kinsman, Leanne Betasamosake Simpson, and Silvia Federici on Colonialism, Capitalism, and Resistance. Ruth Wilson Gilmore, Avery F. Gordon and Angela Y. Davis on Abolition Feminism.”

Always Brave, Sometimes Kind

by Katie Bickell

Touchwood, September 2020

“Set in the cities, reserves, and rural reaches of Alberta, Katie Bickell’s debut novel is told in a series of stories that span the years from 1990 to 2016, through cycles of boom and bust in the oil fields, government budget cuts and workers rights policies, the rising opioid crisis, and the intersecting lives of people whose communities sometimes stretch farther than they know.

We meet a teenage runaway who goes into labour at the West Edmonton Mall, a doctor managing hospital overflow in a time of healthcare cutbacks, a broke dad making extra pay through a phone sex line, a young musician who dreams of fame beyond the reserve, and a dedicated hockey mom grappling with sense of self when she’s no longer needed – or welcome – at the rink.

Always Brave, Sometimes Kind captures a network of friends, caregivers, in-laws, and near misses, with each character’s life coming into greater focus as we learn more about the people around them. Tracing alliances and betrayals from different perspectives over decades, Bickell writes an ode to home and community that is both warm and gritty, well-defined and utterly complicated.”

How to Lose Everything: A Memoir

by Christa Couture

Douglas & McIntyre, September 2020

“Christa Couture has come to know every corner of grief – its shifting blurry edges, its traps, its pulse of love at the centre and the bittersweet truth that sorrow is a powerful and wise emotion.

From the amputation of her leg as a cure for bone cancer at a young age to her first child’s single day of life, the heart transplant and subsequent death of her second child, the divorce born of grief and then the thyroidectomy that threatened her career as a professional musician, How to Lose Everything delves into the heart of loss. Couture bears witness to the shift in perspective that comes with loss, and how it can deepen compassion for others, expand understanding, inspire a letting go of little things and plant a deeper feeling for what matters. At the same time, Couture's writing evokes the joy and lightness that both precede and eventually follow grief, as well as the hope and resilience that grow from connections with others.

Evoking Joan Didion’s The Year of Magical Thinking and Rachel Cusk’s A Life’s Work, Couture explores the emotional and psychological experiences of motherhood, partnership and change. Deftly connecting the dots of sorrow, reprieve and hard-won hope, How to Lose Everything contains the advice Couture is often asked for, as well as the words she wishes she could have heard many years ago. It is also an offering of kinship and understanding for anyone experiencing a loss.”

it was never going to be okay

by jaye simpson

Harbour Publishing, October 2020

“it was never going to be okay is a collection of poetry and prose exploring the intimacies of understanding intergenerational trauma, Indigeneity and queerness, while addressing urban Indigenous diaspora and breaking down the limitations of sexual understanding as a trans woman. As a way to move from the linear timeline of healing and coming to terms with how trauma does not exist in subsequent happenings, it was never going to be okay tries to break down years of silence in simpson’s debut collection of poetry:

i am five

my sisters are saying boy

i do not know what the word means but—

i am bruised into knowing it: the blunt b,

the hollowness of the o, the blade of y”

This Cleaving and This Burning

by J.A. Wainwright

Guernica Editions, October 2020

“Two unrelated, aspiring writers, born on the same day in the same year to parents with the same first names, grow up together and eventually gain national prominence as authors. But their complex sexual identities undermine their intense private relationship as the years pass, inflicting damage that cannot be undone by their public reputations or the excellence of their fiction and poetry. Inspired by the lives and work of American literary giants Ernest Hemingway and Hart Crane, This Cleaving and This Burning is a story of creative passions stoked by unspoken desires within the mind and heart.”

The Beguiling

by Zsuzsi Gartner

Hamish Hamilton, September 2020

“Lucy is a lapsed-Catholic whose adolescent pretentions to sainthood are unexpectedly revived.

It all starts when her cousin Zoltan, in hospital following a bizarre incident at a party, offers her a disturbing deathbed confession. Lucy's grief takes an unusual turn: Zoltan's death appears to have turned her into a magnet for the unshriven. Lucy is transformed into a self-described "flesh-and-blood Wailing Wall" as strangers unburden themselves to her. She becomes addicted to the dark stories, finds herself jonesing for hit after hit.

As the confessions pile up, Lucy begins to wonder if Zoltan's death was as random and unscripted as it appeared. She clutches at alarming synchronicities, seeks meaning in the stories of strangers. Why do the stories seem connected to each other or eerily echo elements of her life? Could it be because Lucy has her own transgressions to acknowledge? And then there is that stubbornly resurfacing past, like a tell-tale ribbon of hair snagged on a fish hook.

With ruthless wit and dizzying energy, The Beguiling explores blessings and curses, sainthood and sin, mortality and guilt in all its guises. Weaving together tales of errant mothers, vengeful plants, canine wisdom, and murder, it lays bare the flesh and blood sacrifices people are willing to make to get what they think they desire.”

Dammed: The Politics of Loss and Survival in Anishinaabe Territory

by Brittany Luby

University of Manitoba Press, October 2020

“Dammed explores Canada’s hydroelectric boom in the Lake of the Woods area. It complicates narratives of increasing affluence in postwar Canada, revealing that the inverse was true for Indigenous communities along the Winnipeg River. Dammed makes clear that hydroelectric generating stations were designed to serve settler populations. Governments and developers excluded the Anishinabeg from planning and operations and failed to consider how power production might influence the health and economy of their communities. By so doing, Canada and Ontario thwarted a future that aligned with the terms of treaty, a future in which both settlers and the Anishinabeg might thrive in shared territories.

The same hydroelectric development that powered settler communities flooded manomin fields, washed away roads, and compromised fish populations. Anishinaabe families responded creatively to manage the government-sanctioned environmental change and survive the resulting economic loss. Luby reveals these responses to dam development, inviting readers to consider how resistance might be expressed by individuals and families, and across gendered and generational lines.

Luby weaves text, testimony, and experience together, grounding this historical work in the territory of her paternal ancestors, lands she calls home. With evidence drawn from archival material, oral history, and environmental observation, Dammed invites readers to confront Canadian colonialism in the twentieth century.”

Reclaiming Hamilton: Essays from the New Ambitious City

edited by Paul Weinberg

Wolsak and Wynn, September 2020

“Hamilton has been called many things over the years, some positive – the Ambitious City, Steeltown – some not so much – the armpit of Ontario. But the city has endured it all and continues on, undaunted. In this wide-ranging collection of essays editor Paul Weinberg has collected many of the stories that have made up Hamilton's latest rising. From lost neighbourhoods to the environmental battle over the Red Hill Valley Parkway, from the rise of citizen journalism to the birth and impact of the James Street North Art Crawl, from the continual fight for inclusion to the new fight against gentrification, Reclaiming Hamilton looks at how this complex, storied city is reinventing itself right now.

List of contributors: Freelance editor Kerry Le Clair, novelist Matthew Bin, McMaster professor Nancy Bouchier, journalist Joey Coleman, McMaster professor Ken Cruikshank, urban planner Rob Fielder, Raise the Hammer editor Ryan McGreal, anthropologist Kevin McKay, culture journalist Seema Nerula, freelance writer Jessica Rose, community historian Shawn Selway, columnist Margaret Shkimba, McMaster professor Sarah Wayland and freelance writer Paul Weinberg.”

Watch Your Head: Writers and Artists Respond to the Climate Crisis

edited by Kathryn Mockler

Coach House Books, October 2020

“We are in a climate emergency. The polar bears are starving, Australia is burning. Climate anxiety – like sea levels – is rising to unprecedented levels. In response to this, poet and editor Kathryn Mockler created a website where writers and artists could post creative works that respond to this crisis. Watch Your Head curates the best poems, stories, essays, and images related to our environmental crisis. The work is ranty, mourning, desperate, in-your-face, hopeful, healing, transformative, and radical. It calls out hypocrisy and injustice to inspire you to do whatever you can – volunteer for a climate justice organization, support land and water defenders, call out the media – and it’ll make you feel less alone in your worry.

The anthology editors include Madhur Anand, Stephen Collis, Jennifer Dorner, Catherine Graham, Elena Johnson, Canisia Lubrin, Kim Mannix, June Pak, Sina Queyras, Shazia Hafiz Ramji, Rasiqra Revulva, Yusuf Saadi, Sanchari Sur, and Jacqueline Valencia. Confirmed contributors include Jordan Abel, Rita Wong, Rae Armantrout, Kaie Kellough, CAConrad, Waubgeshig Rice, Shelley Niro, Evie Shockley, Nicole Brossard.

Proceeds will go to climate charities.”

Queen of the Maple Leaf: Beauty Contests and Settler Femininity

by Patrizia Gentile

University of British Columbia Press, October 2020

“As modern versions of the settler nation took root in twentieth-century Canada, beauty became a business. But beauty pageants were more than just frivolous spectacles. Queen of the Maple Leaf deftly uncovers how colonial power operated within the pageant circuit.

In this astute critical investigation, Patrizia Gentile examines the interplay between local or community-based pageants and more prestigious provincial or national ones. Contests such as Miss War Worker, Miss Black Ontario, and Miss Civil Service often functioned as stepping stones to competitions such as Miss Canada. At all levels, pageants exemplified codes of femininity, class, sexuality, and race that shaped the narratives of the settler nation. A union-organized pageant such as Queen of the Dressmakers, for example, might uplift working-class women but immigrant women need not apply. Not unlike sports leagues linked from minor to major, pageants from local to national formed a network that entrenched white settler nationalism in the context of the beauty industrial complex.

Queen of the Maple Leaf demonstrates that these contests are designed to connect female bodies to white, middle-class, respectable femininity and wholesomeness, and that their longevity lies squarely in their capacity to reassert the white heteropatriarchy at the heart of settler societies.

Students, scholars, and researchers will want to add this significant contribution to gender and sexuality studies to their bookshelves, particularly for its insights into settler femininity.”

Be Scared of Everything

by Peter Counter

Invisible Publishing, October 2020

“Slinging ectoplasm, tombstones, and chainsaws with aplomb, Be Scared of Everything is a frighteningly smart celebration of horror culture that will appeal to both horror aficionados and casual fans. Combining pop culture criticism and narrative memoir, Counter’s essays consider and deconstruct film, TV, video games and true crime to find importance in the occult, pathos in Ouija boards, poetry in madness, and beauty in annihilation.

Comprehensive in scope, these essays examine popular horror media including Silent Hill, Hannibal, Hereditary, the Alien films, Jaws, The X-Files, The Terror, The Southern Reach Trilogy, Interview with the Vampire, Misery, Gerald’s Game, The Sixth Sense, Scream, Halloween, The Blair Witch Project, The Babadook, the works of H. P. Lovecraft, Slenderman stories, alongside topics like nuclear physics, cannibalism, blood, Metallica, ritual magic, nightmares, and animatronic haunted houses.

This is a book that shows us everything is terrifying – from Pokémon to PTSD – and that horror can be just as honest, vulnerable, and funny as it is scary.”

Small, Broke, and Kind of Dirty: Affirmations for the Real World

by Hana Shafi

Book*hug Press, September 2020

“Let’s get one thing straight: Small, Broke, and Kind of Dirty: Affirmations for the Real World is not a book of advice. You’re not going to find a step-by-step guide to meditation here, or even reminders to drink lots of water and get enough sleep. Those things are all good for you, but that’s not what Hana Shafi wants to talk about.

Instead, Small, Broke, and Kind of Dirty – built around art from Shafi’s popular online affirmation series – focuses on our common and never-ending journey of self-discovery. It explores the ways in which the world can all too often wear us down, and reminds us to remember our worth, even when it’s hard to do so. Drawing on her experience as a millennial woman of colour, and writing with humour and a healthy dose of irreverence, Shafi delves into body politics and pop culture, racism and feminism, friendship, and allyship. Through it all, she remains positive without being saccharine, and hopeful without being naive.

So no, this is not an advice book: it’s a call to action, one that asks us to remember that we are valid as we are – flaws and all – and to not let the bastards grind us down.”